Description
DIGITAL MIXING RESHAPED
Now in a feature-packed new Chrome Edition, Qu-24 reshapes digital mixing, combining innovative design and exceptional functionality to create a superb professional mixing experience. Bristling with all the features you’d expect from a top of the range digital console and incorporating technologies pioneered on the GLD and iLive digital mixing systems, Qu-24 has the power and pedigree to deliver class-leading audio performance.
Qu series features include multitrack recording direct to USB, Automatic Mic Mixing, ProFactory mic presets, plus an ever growing ecosystem of apps, accessories and remote I/O.
Whether you’re switching from analogue or updating your digital desk, it’s time to experience the new digital with Qu-24
Qu Ecosystem
Qu provides much more than just a mixer. Qu is an entire ecosystem with Remote AudioRacks allowing I/O to be placed where it’s needed, ME Personal Mixers expanding monitor mixes and enabling simple, time-saving local control, Qu Apps for complete remote setup and wireless mixing on stage or anywhere else in the venue, ProFactory Mic presets to speed up preparation time and ensure the best sound, plus USB recording and DAW integration for powerful workflow optimisation from one centrepiece device.
AnalogiQTM Preamps
Qu-24 features twenty-four AnalogiQTM digitally controlled preamps with advanced zero-crossing detection and a padless 1dB-step gain stage, which have been closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high-class, low latency 24bit analogue to digital converters, and are matched to 24bit digital to analogue converters to deliver the required high quality output. The AnalogiQTM preamp design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.
The Mixing Experience
Having massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat. The 800×480, True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-24’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more. Complementing the touchscreen is the SuperStrip – a set of single function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan. The screen overview also follows the control being turned.
One Channel / One Fader
Qu-24 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Some digital mixers don’t offer a fader per physical input, meaning you have to access an additional fader layer to control these channels. This can be confusing and time consuming. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-24 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.
Total Recall
True digital mixing is about being able to save and recall Scenes (snapshots) at the press of a button. Qu can store up to 100 full Scenes for recall and Channels or Mixes can be made Safe from being overwritten. Qu-24 features 25 motorized ALPS faders, 24 allow instant access to all input channels and masters over 2 layers, and a dedicated master fader dynamically follows the Mix selection. A third User-defined Custom layer is available for ad-hoc strip layout, where any combination of Inputs, FX Sends, FX Returns, DCA’s and Mix masters can be assigned.
ProFactory Mic Presets
Allen & Heath has teamed up with leading microphone manufacturers and top engineers at Audio-Technica, Sennheiser, and Shure to provide EQ Library presets for a large number of popular and industry standard microphones. Presets for vocals, electric guitar, acoustic guitar, drums, brass and woodwind have been painstakingly crafted to offer you the best possible starting point for the source and your microphone of choice. Whether you’re a keen amateur or a seasoned professional, you can get to work quickly and easily, saving valuable time so you can concentrate on EQ’ing the source and room acoustics.
Rack FX
Qu-24’s dynamics and FX algorithms are derived from those used in Allen & Heath’s pro touring consoles. Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units. Qu-24 boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.
More Mixes, More Flexibility
- GROUPS
- Qu-24 provides 2 stereo Groups which can be used as subgroups to the main LR mix for group level and processing, for example to buss-compress an entire drum kit, or to tame multiple lavalier mics with a single graphic EQ. Groups can also be switched to Mix mode to provide additional outputs for monitor mixes.
- THE MATRIX
- Qu-24 adds 2 further stereo Matrix outputs equipped with full processing to the console’s extensive I/O. A Matrix is a ‘mixer within a mixer’, fed from any combination of Group 1-4, Mix 1-10, and main LR. It can be used to provide a broadcast feed, a recording mix, or duplicate the main outputs for delay stacks, fill or zone speakers where independent GEQ and delay is applied.
Qu-Drive
Qu-24 has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.
Automatic Mic Mixer (AMM)
AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time. Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.
Mac OS and Windows DAW Integration
Qu-24’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIOTM and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB connection so you can map the faders to the tracks of your favourite DAW. A DAW Control driver is available for easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.
Qu apps for greater wireless control
Add the fully-featured Qu-Pad app for iPad to your Qu-24 and you’re free to EQ and mix monitors on stage, roam around the venue whilst adjusting the PA, and mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings.
Qu-You allows up to seven performers to control their own monitor mixes using any iOS or Android device, and frees up the engineer to focus on mixing for the audience.
Qu-Control is a customisable iOS app providing a simple interface for non-technical users to control the essential parameters of Qu mixers when technical operators are not around.
Apps require the connection of a Wi-Fi router or access point to the mixer’s Network port.
dSNAKE Remote Audio Racks
Qu-24 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu-24’s built-in dSNAKE port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox. dSNAKE is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390’. So if you’re mixing FoH you can place your I/O on the stage and run a single Cat5 cable back to the Qu-24 in the mix position.
ME Personal Mixing System
Qu-24 is fully compatible with our ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKETM port (or from an AR2412 Stagebox if you’ve got one connected to the dSNAKETM port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience.
Digital Mixing Reshaped
Made from 18 gauge, cold-rolled Zintec steel, Qu’s distinctive frame is designed for strength and rigidity. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander!
Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by whirring coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.
ARMed to the Hilt
Qu-24 is equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording / playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response.
The mixer’s DSP farm exploits next generation dual core DSPs. The Qu DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.
- 24 Mono Mic/Line Inputs (TRS + XLR)
- Recallable AnaLOGIQTM Preamps
- 3 Stereo Inputs (TRS)
- 20 Mix Outputs (XLR)
- 2 Stereo Groups (switchable to Mix mode)
- Up to 9 Monitor Mixes (4 mono + 5 stereo)
- 2 Stereo Matrix Outs
- 4 FX Engines
- 4 dedicated FX Sends / Returns
- 4 Mute Groups
- 4 DCA Groups
- AES Digital Out
- 32×30 USB Audio Interface
- dSNAKETM Remote Audio Port
- 25 Motor Faders
- 800×480 Touchscreen
- 10 Soft Keys
- Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
- Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
- Automatic Mic Mixer
- Channel Ducker on all inputs
- ProFactory Mic Presets
- RackFX Library
- Built-in Signal Generator
- RTA with Peak Band indication
- Spectrogram to aid feedback elimination and room acoustics
- Qu-Drive Direct Multitrack Recording / Playback on USB drives
- DAW MIDI Control
- Qu-Pad iPad App
- Qu-You iPhone / Android personal monitoring app
- Qu-Control customisable iOS app for simple wireless control
- Compatible with ME Personal Mixing System
- High contrast metallic finish controls, matching premium GLD Chrome series
Accessories
- AR2412 – 24 inputs, 12 outputs AudioRack with dSNAKE connection and expansion port for personal monitoring.
- AR84 – 8 inputs, 4 outputs AudioRack with dSNAKE connection.
- AB168 – Portable, rugged 16 inputs, 8 outputs stagebox with dSNAKE connection and expansion port for personal monitoring.
- AH9650 – 100m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors.
- AH9981 – 50m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors.
- AH9651 – 20m of Neutrik EtherFlex Cat5 with locking Neutrik EtherCon connectors.
- LEDLamp – variable brightness 18” gooseneck lamp.
- AP9458 – Dust cover for Qu-24.
Specifications
Inputs
- Mic/Line Inputs: Balanced, XLR and 1/4"" TRS jack, fully recallable
- Input Sensitivity (XLR / TRS) -60 to +5dBu / -50 to +15dBu
- Analogue Gain -5 to +60dB, 1dB steps
- Maximum Input Level (XLR / TRS) +19dBu / +29dBu
- Input Impedance (XLR / TRS) >5kΩ / >10 kΩ
- THD+N, Unity gain 0dB 0.0005% -89 dBu
- (20-20kHz, Direct Out @0dBu 1kHz)
- THD+N, Mid gain +30dB 0.001% -83dBu
- (20-20kHz, Direct Out @0dBu 1kHz)
- Stereo Line Inputs
- ST1, ST2 connector Balanced, 1/4"" TRS jack, half normalled
- ST3 connector Unbalanced, stereo 3.5mm Mini Jack
- Input Sensitivity (ST1, ST2 / ST3) Nominal +4dBu / 0dBu
- Trim +/-24dB
- Maximum Input Level (ST1,ST2 / ST3) +22dBu / +18dBu
- Input Impedance >7kΩ
Outputs
- Mix1-10 and LR Out Balanced, XLR
- Group and Matrix Out
- Output Impedance <75Ω
- Nominal Output +4dBu = 0dB meter reading
- Maximum Output Level +22dBu
- Residual Output Noise -90 dBu (muted, 20-20kHz)
- Stereo Alt Out & 2Trk Out Balanced, 1/4"" TRS jack
- Source (Alt Output / 2Trk Output) Patchable / LR post-fade
- Output Impedance <75Ω
- Nominal Output +4dBu = 0dB meter reading
- Maximum Output Level +22dBu
- Residual Output Noise -90 dBu (muted, 20-20kHz)
- AES Digital Output 2 channel, 48kHz sampling rate, XLR
- 2.5Vpp balanced terminated 110?
- dSNAKE
- Inputs Remote source for CH1-32, ST1, ST2, ST3
- Outputs Patchable from Mix1-10, LR, Grp1-8, MTX1-4
- Compatible with AudioRacks AR2412, AR84, AB168
- Compatible with ME personal mixing system
- System Measured balanced XLR in to XLR out, 0dB gain, 0dBu input
- Dynamic Range 112 dB
- Frequency Response +0/-0.5dB 20Hz to 20kHz
- Headroom +18dB
- Internal operating Level 0dBu
- dBFS Alignment +18dBu = 0dBFS (+22dBu at XLR output)
- Meter Calibration 0dB meter = -18dBFS (+4dBu at XLR out)
- Meter Peak indication -3dBFS (+19dBu at XLR out), multi-point sensing
- Meter Signal indication -48dBFS (-26dBu at XLR out)
- Meter Type Fast (peak) response
- Sampling Rate 48kHz +/-100PPM
- ADC, DAC 24-bit Delta-Sigma
- Latency 1.2 ms (local XLR in to XLR out)
- 0.7 ms (local XLR in to AES out)
- Operating Temperature Range 0 deg C to 35 deg C (32 deg F to 95 deg F)
- Mains Power 100-240V AC, 50/60Hz
- Maximum Power Consumption 120W
USB Audio
- Qu-Drive USB A
- Stereo Record 2 channel, WAV, 48kHz, 24-bit, patchable
- Stereo Playback 2 channel, WAV, 44.1 or 48kHz, 16 or 24-bit, to ST3
- Multitrack Record 18 channel, WAV, 48kHz, 24-bit, patchable
- Multitrack Playback 18 channel, WAV, 48kHz, 24-bit
- USB Audio Streaming USB B, Core Audio compliant
- Send (upstream) 32 channel, WAV, 48kHz, 24-bit
- Return (downstream) 32 channel, WAV, 48kHz, 24-bit
Control
- Faders 100mm motorised
- Touch Screen 5"" TFT, 800x480 resolution
- SoftKeys 10
- Mute Groups 4
- DCA Groups 4
- Network TCP/IP Ethernet for MIDI and iPad app
Input Processing
- Source
- CH1-32 Local, dSNAKE, or USB
- ST1, ST2 Local, dSNAKE, or USB
- ST3 Local, dSNAKE, or USB Stereo
- USB Global Source Qu-Drive or USB B Streaming
- Stereo Linking Odd/even input pairs
- Parameters linked EQ, dynamics, insert, delay, assignments, sends
- Link options Preamp, polarity, sidechains, fader/mute, pan
- Polarity Normal/Reverse
- High Pass Filter 12dB/octave 20Hz – 2kHz
- Insert Assign FX1-4 into Input channels
- Delay Up to 85ms
- Gate Self-key Sidechain
- Threshold / Depth -72dBu to +18dBu / 0 to 60dB
- Attack / Hold / Release 50us to 300ms / 10ms to 5s / 10ms to 1s
- PEQ 4-Band fully parametric, 20-20kHz, +/- 15dB
- Band 1 Selectable LF Shelving (Baxandall), Bell
- Band 2, Band 3 Bell
- Band 4 Selectable HF Shelving (Baxandall), Bell
- Bell Width Non-constant Q, variable, 1.5 to 1/9th octave
- Compressor Self-key Sidechain
- Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
- Attack / Release 300us – 300ms / 100ms - 2s
- Knee Soft/Hard
- Types Peak Manual, RMS Manual, SlowOpto, PunchBag
Mix Processing
- Channel Direct Out to USB Follow Fader, follow Mute (global options)
- Source select (global) Post-Preamp, Pre-EQ, Post-EQ, PostDelay
- Insert Assign FX into Mix channels
- Delay Up to 170ms
- GEQ Constant 1/3 oct, 28 bands 31Hz-16kHz, +/-12dB Gain
- PEQ 4-Band fully parametric, 20-20kHz, +/- 15dB
- Band 1 Selectable LF Shelving (Baxandall), Bell
- Band 2, Band 3 Bell
- Band 4 Selectable HF Shelving (Baxandall), Bell
- Bell Width Non-constant Q, variable, 1.5 to 1/9th octave
- Compressor Self-key Sidechain
- Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
- Attack / Release 300us – 300ms / 100ms - 2s
- Knee Soft/Hard
- Types Peak Manual, RMS Manual, SlowOpto, PunchBag
FX
- Internal FX 4x RackFX engine, Send>Return or Inserted
- Audio Tools
- Types Reverbs, Delays, Gated Reverb, ADT, Chorus, Symphonic Chorus, Phaser, Flanger
- 4 dedicated Stereo FX returns Fader, Pan, Mute, Routing to Mix/LR, 4- Band PEQ
- PAFL PFL or stereo in-place AFL, 0 to -24dB Trim, 85ms Delay
- Talkback Assignable to any mix, 12dB/oct HPF
- Signal Generator Assignable to any mix, Sine / White/Pink/Band-pass Noise
- RTA 31-Bands 1/3 octave 20-20kHz, follows PAFL source
Dimensions & Weights
- Desk mounted 632 x 500 x 186 mm (24.9" x 19.7" x 7.4")
- Packed in shipping box 670 x 790 x 350 mm (26.4"" x 31.1" x 13.8")
- Unpacked weight 14 kg (31 lbs)
- Packed weight 18 kg (40 lbs)