Description
The DP Elite 8, as the name implies, is the ultimate combination of 8 microphones needed to mike up a 5 piece drum kit. All mics perform equally well whether it be on a live stage or in the studio. Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use.
D6 - Kick Drum
The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.
i5 - Snare
The i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix. The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.
D2(Two) - Rack Toms
For bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat. The D2 accurately reproduces the warmth and overtones of the instrument without sounding harsh or boomy. The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.
D4 - Floor Tom
The D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies. In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size. The D4 is very linear in response and can be considered the most versatile of the D-Series microphones.
SCX1C (two) Overheads
The SCX1-C, a pencil condenser requiring 48-52 Volts phantom power, is a highly sensitive microphones that will provide imagining and audio detail beyond your expectations. Characterized with a cardioid pickup pattern and a smooth uniform response over a frequency range of 40Hz-20kHz, the SCX1-C has been a secret weapon for many sound engineers who have become envious for their drum sound.
SCX1HC -High Hat
The SCX1-HC is considered by a growing number of sound engineers and artists as the very best possible choice for high-hat, providing a level of detail and realism that is astonishing. Characterized with a hypercardioid pickup for isolation and feedback control, the SCX1HC features a machined brass body, low noise electronics, and black e-coat finish, and modular threaded capsule.
Features
- All-in-one solution for miking drums
- Instrument-specific mics for optimal results
- Rugged Audix quality
- Great for stage and studio
- Dflex clips for easy positioning
- Road case
What's In The Box
- 1-D6 with DCLIP
- 1-i5 with DVICE rim mount clips
- 2-D2 with DVICE rim mount clips
- 1-D4 with DVICE rim mount clip
- 2-SCX1C with DCLIPS and windscreens
- 1-SCX1HC with DCLIP and windscreen
- 1 Aluminum road case
Specifications
D6 Kick Drum Microphone
Transducer Type Dynamic
Frequency Response 30 Hz - 15 kHz
Polar Pattern Cardioid / Hypercardioid
Output Impedance 200 ohms
Sensitivity 0.8 mV / Pa @ 80 Hz
Capsule Technology VLM Type E
Off Axis Rejection >20 dB
Maximum SPL ≥144 dB
Power Requirements None
Connector Switchcraft® or Audix male XLR connector
Polarity Positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing / Finish Machined Aluminum / Black Hard Coat
Weight 217 g / 7.7 ounces
Length 117 mm / 4.6 inches
i5 Multi-Purpose Instrument Microphone
Transducer Type Dynamic
Frequency Response 50 Hz - 16 kHz
Polar Pattern Cardioid
Output Impedance 150 ohms
Sensitivity 1.5 mV / Pa @ 1k
Capsule Technology VLM Type B
Off Axis Rejection > 23 dB
Maximum SPL ≥ 140 dB
Power Requirements None
Connector Switchcraft® or Audix male XLR connector
Polarity Positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing / Finish Die cast Zinc Alloy / Black E-coat
Weight 183 g / 6.5 ounces
Length 141.5 mm / 5.6 inches
D2 Dynamic Instrument Microphone
Transducer Type Dynamic
Frequency Response 80 Hz - 18 kHz
Polar Pattern Hypercardioid
Output Impedance 250 ohms
Sensitivity 1.2 mV / Pa @ 1k
Capsule Technology VLM Type B
Off Axis Rejection >30 dB
Maximum SPL ≥144 dB
Power Requirements None
Connector Switchcraft® or Audix male XLR connector
Polarity Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing / Finish Machined Aluminum / Black Hard Coat
Weight 128 g / 4.5 ounces
Length 100 mm / 3.9 inches
D4 Dynamic Microphone
Transducer Type Dynamic
Frequency Response 40 Hz - 18 kHz
Polar Pattern Hypercardioid
Output Impedance 200 ohms
Sensitivity 1.4 mV / Pa @ 1k
Capsule Technology VLM Type D
Off Axis Rejection >20 dB
Maximum SPL ≥144 dB
Power Requirements None
Connector Switchcraft® or Audix male XLR connector
Polarity Positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing / Finish Machined Aluminum / Black Hard Coat
Weight 128 g / 4.5 ounces
Length 100 mm / 3.9 inches
SCX1 Studio Condenser Microphone
Transducer Type Condenser
Frequency Response 40 Hz - 20 kHz
Polar Pattern Cardioid / Hypercardioid
Output Impedance 200 ohms
Sensitivity 26 mV / Pa (SCX1C) @ 1k, 15 mV / Pa (SCX1HC) @ 1k
Equivalent Noise Level 14 dB (A weighted)
Signal to Noise Ratio 80 dB
Maximum SPL 130 dB
Dynamic Range 116 dB
Power Requirements 48-52 volts
Connector Switchcraft® or Audix male XLR connector
Polarity Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing / Finish Brass / Multi-layer Class ‘A’ liquid
Weight 114 g / 4 ounces
Length 104 mm / 4.1 inches