Description
Soundcraft Si Expression 2 - 24-Channel Digital Console
Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want.
The Si Expression 2 features 24 recallable mic pre amps (16 on Si Expression 1 and 32 on Si Expression 3) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost.
All Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot.
To complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing.
Flexible onboard and expansion I/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the ViSi Connect Si series option cards including MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante, CAT5 or optical MADI, AVIOM, CobraNet and others. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like the Soundcraft Realtime Rack, enables users to link the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said 'Power is nothing without control' and here the Si Expression excels with a comprehensive but 'simple to use' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy.
As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own.
Features
- 24 mono mic inputs
- MIC pre amps from the renowned Vi series
- Soundcraft 4-band EQ on all inputs and outputs
- Fader Glow illumination on all faders
- BSS Graphic EQ on all bus and matrix outputs
- Independent Centre/Mono bus
- Quad Lexicon FX processors
- tOTEM (The One Touch Easy Mix) system that instantly sets the console surface as you need it to create mixes quickly and easily
- Lamp Outputs
- 64 in x 64 out option card slot fully compatible with all Si series cards
- HiQnet compatibility
- Ultra hard-wearing, polycarbonate covered control surface resists wear and tear
- No layering of controls on the channel, all the controls are available all of the time
- Color touch screen interface
- 4 Mute Groups
- Up to 66 channels to mix
- Channel and Bus ISOLATE
- 35 buses, 25 separate mixes
- 4 Matrix mixes that can operate in mono or stereo
- 14 Aux mixes, 6 of which can operate in mono or stereo
- 6 stereo inputs
- 4 user-assignable fader layers
- Color touch screen
Si Expression 2 Highlights
Massive mix capacity – 66 inputs to mix in a small format live sound digital mixer
1 ViSi Connect option card slot for 64x64 expandsion of digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet and others.
Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
TOTEM - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
Soundcraft FaderGlow - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
BSS GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System, using simple Cat5 cabling for easy setup.
D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen & context menus.
Function Focus – Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
Everything Everywhere - All channels and busses have a full complement of processing, nothing to assign or configure.
Recommended For
- Broadcasting
- Houses of Worship
- Music Venues
- Musicians & Bands
- Recording
- Theaters
- Tour Sound
Specifications
Frequency Response
Mic / Line In to any Output: +/-1.5dB, 20Hz-20kHz
T.H.D.
Mic Sensitivity -30dBu < 0.01% @ 1kHz
Noise
Residual noise -86dBu
Mic Input E.I.N. 22Hz - 22kHz, Unweighted. (max gain) -126dBu (150Ω source)
Mix noise, masters at unity < -86dBu
1 input to mix at unity gain -84dBu
CMRR mic @1KHz (max gain) -80dBu
Crosstalk (@ 1kHz)
Channel ON attenuation <120dB
Channel Fader attenuation <120dB
Mic – Mic -100dB @ 1KHz, -85dB@10kHz
Line – Line -100dB @ 1KHz, -85dB@10kHz
Input Gain
Mic Gain -5dB – 58dB integrated pad design, 1dB steps
Line Trim -10dB - +16dB
Gate
Threshold -60dBfs - -6dBfs
Depth -60dB – 3dB
Attack 0.1ms – 200ms
Release 20ms – 500ms
Side-chain HPF 22Hz – 2.5kHz
Side-chain LPF 160Hz – 20klHz
Compressor
Threshold -52dBfs - -6dBfs
Ratio 1:1 – 20:1
Attack 0.1ms – 200ms
Release 5ms – 900ms
Makeup Gain 0dB – 24dB
EQ
HI MID & LO MID 22Hz – 20KHz, +/-15dB Q 6-0.3
Shelf (HF) 800Hz – 20kHz, +/-15dB
Shelf (LF) 20Hz – 500Hz, +/-15dB
HPF 40Hz – 1KHz
Delay
User adjustable delay 1 sample – 500ms
GEQ 31Hz – 16KHz 1/3 octave
Digital I/O
AES Sample rate converter range 8KHz – 200KHz
External Word Clock In range 48KHz +/-7Hz (internal systems), +/-3Hz with stageboxes.
Word clock out jitter +/- 7ns
Analogue out for 0dBfs +21.5dBu
Converter resolution 24-bit
DSP resolution 40-bit floating point
Latency
Mic In to Line Out <0.8 ms
Analogue in to AES out <0.6 ms
AES in to Line Out <0.8ms
AES in to AES out <0.5ms
Stagebox Mic In to Stagebox <0.9mS
Input & Output Levels
Mic Input +22dBu max
Line Input +22dBu max
Mix Output +21.5dBu max
Headphones (@150Ω) 300mW (recommended impedance 75Ω to 200Ω)
Input & Output Impedances
Mic Input 3kΩ
Line Input 10kΩ
AES Input 110Ω
Outputs 150Ω (balanced), 75Ω (unbalanced)
Word Clock used as Output 50Ω
Word Clock used as Input 4K7Ω
AES Output 110Ω
USB
Max current 200mA
Lamp Output
12v DC 100mA max (per socket)
Power
Consumption (typical) <130w Si EXPRESSION 3
AC Input voltage range 88-264VAC auto sensing
AC Frequency range 47-63Hz
Operating Conditions
Operating Temperature Range 5°C to 45°C
Humidity 0%-90%, non condensing Ta=40°C (104°F)
Storage Temperature Range -20°C to 60°C (-4°F to 140°F)