Zoom LiveTrak L-12 Digital Recording and Mixing Console

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SKU:
ZL12
UPC:
884354018054
Weight:
7.90 LBS
Shipping:
Calculated at Checkout
  • Zoom LiveTrak L-12 Digital Recording and Mixing Console
  • Zoom LiveTrak L-12 Digital Recording and Mixing Console
  • Zoom LiveTrak L-12 Digital Recording and Mixing Console
  • Zoom LiveTrak L-12 Digital Recording and Mixing Console
  • Zoom LiveTrak L-12 Digital Recording and Mixing Console
$649.99

Description

THE BOARD THAT DOES IT ALL - LIVETRAK L‰ÛÔ12
Mix, Record, Monitor, Playback, and Remix

With the LiveTrak L-12, you can finally mix, record, and monitor with a single piece of gear. It’s the only digital console that lets you mix your live performance and record up to 12 discrete channels – all while providing five individual custom headphone mixes.

Effortless Live Mixing

LiveTrak’s 12 discrete channels (eight mono plus two stereo) have a 3-band mid-parametric EQ and 16 built-in send effects. Its eight mono channels also have a dedicated compressor.
With all these controls plus its 12-segment LED metering, the L-12 offers just what you need for intuitive mixing.

Record Everything, Remix Anywhere

LiveTrak lets you record 12 discrete tracks up to 24-bit/96 kHz WAV audio to an SD card while simultaneously mixing your live show. Tracks are recorded pre-EQ and effects, so they can be transferred to your favorite DAW for further mixing and editing.

*Effects, EQ, overdub, audio interface, ‰ÛÜfader modes A-E, and channels 13-14 (stereo mix) are not available in 96 kHz.

Five Custom Monitoring Mixes

Each of LiveTrak’s five monitor outputs provides a unique mix, so every performer can create and save a mix that’s tailored to their preferences. Its headphone amplifier delivers olume that stands up in any live environment without the need for a separate headphone monitoring setup.

USB Connectivity for Your DAW

LiveTrak is also a 14-in/4-out USB audio interface with flexible routing options, offering unlimited possibilities. Class compliant mode, which enables connection with iOS devices, is also supported.*

*Apple Lightning to USB Camera Adapter required.

What’s Under the Hood?

Our Best Mic Preamps Yet
At -128 dBu EIN with +60 dB maximum input gain, LiveTrak is equipped with the quietest and most advanced preamps we’ve ever made. Just wait until you hear how incredible it sounds.

High-Definition Sample Rates
The L-12 supports sample rates up to 96 kHz when recording to an SD card, allowing you to record in high definition. In Audio Interface mode, the L-12 can record up to 48 kHz to a computer and an SD card simultaneously.

Convenient Auto Recording
Record automatically by adjusting the L-12’s customizable audio input commands. Set it to start when the master fader detects a certain dB level, or use a guitar chord or snare hit to start the track. You can capture data up to two seconds before recording starts, in case a performance begins ahead of time.

Versatile Operation Modes
The L-12 is equipped with several operation modes. Audio Interface mode lets you route inputs and outputs to any DAW.

With USB Host mode, transfer projects and audio files to a connected USB flash drive. In Card Reader mode, the L-12 acts as an SD card reader, allowing you to transfer audio files to and from your computer.

Features at a Glance

  • 12 discrete channels (8 mono plus 2 stereo) with XLR or 1/4-inch connectivity
  • 14-track simultaneous recording, 12-track playback
  • 14-in/4-out USB audio interface connectivity
  • 5 powered headphone outputs, each with a customizable and saveable mix
  • Add backing/click tracks from your computer to your live mix and recording
  • RCA and TS line inputs
  • 48V phantom power (channels 1-4 and 5-8)
  • Hi-Z connectivity (channels 1 and 2)
  • 26 dB pad (channels 3-8)
  • Built-in compression control (Channels 1-8)
  • Digital level meters -48 dB to -0 dB
  • Master mute button
  • Low-cut control
  • Stereo panning
  • Master and Monitor Outputs A-E
  • Scene saving function, up to 9 scenes saved at a time
  • 16 built-in delay and reverb effects with adjustable parameters
  • Built-in slate mic
  • Class-compliant mode (for iOS compatibility)
  • SD card input
  • Built-in metronome
  • Automatic recording starting/stopping capability
  • Project protection
  • Import/export projects with USB 2.0 host port
  • Latency adjustment for A-to-D conversion
  • Compatible functions for ZOOM FS01 footswitch

Accessories

Here's what comes included with the L-12:

  • AC adapter (AD-19)
  • USB 2.0 cable
  • Quick Guide
  • Optional Accessory:
    • Rack mount adapter (RKL-12)
    • Foot swtich (FS01) 
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Specifications

NUMBER OF INPUT AND OUTPUT CHANNELS

Inputs
Mono (MIC/LINE): 8
Stereo (LINE): 2
Outputs
MASTER OUT: 1
MONITOR OUT: 5

INPUTS

Mono (MIC/LINE): Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT)
Input gain
PAD OFF: +16 - +60 dB
PAD ON: −10 – +34 dB
Hi-Z ON: +6 - +50 dB
Input impedance
XLR: 3 kΩ
TRS: 10kΩ/1 MΩ (when Hi-Z ON)
Maximum input level
PAD OFF: 0 dBu (at 0 dBFS)
PAD ON: +26 dBu (at dBFS)
Phantom Power: +48 V
Stereo (LINE): Type: TS phone/RCA pin (unbalanced) jacks
Maximum input level +10 dBu

OUTPUTS

MASTER OUT: Type: XLR jacks (balanced)
Maximum output level: +14.5 dBu
Output impedance: 100 Ω
MONITOR OUT A (TRS): Type: TRS phone jacks (balanced)
Maximum output Level: +14.5 dBu
Output impedance: 100 Ω

MONITOR OUT A-E (PHONES):

Type: Standard Stereo phone jacks
Maximum output level: 42 mW + 42 mW at 60 Ω
Output impedance: 100 Ω

BUSES
MASTER: 1
MONITOR: 5
SEND EFX: 1

CHANNEL STRIP

COMP
LOW CUT: 75 Hz, 12 dB/OCT

EQ
HIGH: 10 kHz, ± 15 dB, shelving
MID: 100 Hz-8 kHz, ±15 dB, peaking
LOW: 100 Hz, ± 15 dB, shelving

LEVEL METERS

Level segments: 12

SEND EFFECTS

Effects: 16 types:

  • Hall 1 & 2 (reverb)
  • Room 1 & 2(reverb)
  • Plate (reverb)
  • Church (reverb)
  • DrumAmb (reverb)
  • GateRev (reverb)
  • Spring (reverb)
  • Delay (delay)
  • Analog (delay)
  • P-P Dly (delay)
  • Vocal 1-4 (delay + reverb)

RECORDER

Maximum simultaneous recording tracks: 14 at 44.1/48 kHz (12 channel + stereo mix)
12 at 96 kHz
Maximum simultaneous playback tracks: 12
Recording format: WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo WAV format
Recording media: 16 MB-2 GB SD cards, 4 GB-32 GB SDHC cards, 64 GB-512 GB SDXC cards

AUDIO INTERFACE

44.1/48 kHz
Recording: 14 channels
Playback: 4 channels
Bit depth: 24-bit
Interface: USB 2.0

SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE

Windows
OS: Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit)
CPU: Intel® Core i3 or faster*
USB: USB 3.0/USB 2.0**

* Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD.
** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards.

Mac 
OS: Mac® OS X 10.10 / 10.11 / 10.12
CPU: Intel® Core i3 or faster
USB: USB 3.0/USB 2.0*
* Operation is not guaranteed when used with USB hubs or expansion cards.
iPhone/iPad: OS•__ iOS 8 / 9 / 10
* Apple Lightning-to-USB Camera Adapter required.

CARD READER

Class: Mass storage USB 2.0 High Speed

USB HOST

Class: USB 2.0 High Speed

SAMPLING RATE

Sampling rate: 44.1/48/96 kHz

FREQUENCY CHARACTERISTICS

44.1 kHz: -1.0 dB: 20 Hz - 20 kHz
96 kHz: -3.0 dB: 20 Hz - 40 kHz

EQUIVALENT INPUT NOISE

Actual measurements: -128 dB EIN (IHF-A) with +60 dB/150 Ω input

Display: LCD with backlight (128x64 resolution)
Power supply: ZOOM AD-19 AC adapter (DC12 V/2 A)
Power consumption: 17W maximum
External dimensions: 445 mm (W) x 282 mm (D) x 70.5 mm (H) / 17.5” (W) x 11.1” (D) x 2.78” (H)
Weight (main unit only): 2.53 kg / 5.58 lbs

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